{"id":2374,"date":"2013-09-22T11:20:00","date_gmt":"2013-09-22T09:20:00","guid":{"rendered":"https:\/\/socialdesignmagazine.com\/mag\/s8-visual\/c38-visual\/emmanuelle-moureaux-un-volume-galleggiante-di-100-colori\/"},"modified":"2024-06-17T15:15:38","modified_gmt":"2024-06-17T13:15:38","slug":"emmanuelle-moureaux-un-volume-galleggiante-di-100-colori","status":"publish","type":"post","link":"https:\/\/socialdesignmagazine.com\/mag\/visual\/emmanuelle-moureaux-un-volume-galleggiante-di-100-colori\/","title":{"rendered":"Emmanuelle Moureaux – un volume galleggiante di 100 colori","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

Emmanuelle Moureaux<\/strong> appende 100 colori di carta,\u00a0istallazione realizzata\u00a0per\u00a0shinjuki creator festa 2013<\/strong>.<\/p>\n\n\n\n

Il titolo ‘100 colors’<\/strong> sono il numero di tonalit\u00e0 che la designer ha utilizzato nell’opera,  i colori del catalogo della Takeo, produttore di carta giapponese. Emmanuelle ha appeso 840 fogli di carta generando un volume color arcobaleno che galleggia nell’aria.<\/span><\/p>\n\n\n

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\"g3\"<\/figure>\n<\/div>\n\n\n

I visitatori vengono stimolati in pi\u00f9 modi ad interagire con l’istallazione<\/strong>: le sedute, sacchi di fagioli, poste liberamente sotto l’opera,
consentono di apprezzarne le variazioni cromatiche da pi\u00f9 punti di vista; 100 cerchi colorati<\/strong>, i colori dei fogli, sono collocati sul muro
e\u00a0chi visita la mostra viene invitato a posizionare piccoli adesivi intorno a quelli preferiti, lo spazio retrostante si trasforma in un’altra opera
d’arte, separata ed indipendente, disegnata dal visitatori.<\/span><\/p>\n\n\n

\n
\"emmanuelle-moureaux-100-colors-designboom-05\"<\/figure>\n<\/div>\n\n\n

“<\/span> Quando arrivai a Tokio per la prima volta, sono rimasta  affascinata dai colori che pervadevano le strade della citt\u00e0, fu in quel <\/em>
momento che decisi di trasferirmi in Giappone. Una quantit\u00e0 impressionante di insegne di negozi, cavi elettrici sospesi, i flash<\/em>
del cielo blu intervallati dai volumi<\/em> degli edifici, tutte queste cose insieme, creavano ‘sovrapposizioni’ tridimensionali nella visione
della citt\u00e0. Lo straripare dei pi\u00f9 vari colori invadeva <\/em>le strade, dava intensit\u00e0 allo spazio e generava una profondit\u00e0 complessa.<\/em>
Queste indelebili esperienze di colori e sovrapposizioni sono state l’ispirazione e l’essenza del mio design concept  ‘shikiri’, che
vuol dire dividere<\/em> lo spazio con i colori.”<\/em><\/p>\n\n\n

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\"emmanuelle-moureaux-100-colors-designboom-04\"<\/figure>\n<\/div>\n\n
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\"g2\"<\/figure>\n<\/div>\n\n
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\"g4\"<\/figure>\n<\/div>\n\n
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\"emmanuelle-moureaux-100-colors-designboom-08\"<\/figure>\n<\/div>\n\n
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\"g7\"<\/figure>\n<\/div>\n\n
\n
\"g13\"<\/figure>\n<\/div>\n\n\n

Ingresso dell’istallazione<\/p>\n\n\n

\n
\"Senza<\/figure>\n<\/div>\n\n\n

Emmanuelle Moureaux<\/a>
foto di Daisuke Shima<\/strong> \/ NACASA & partners<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Emmanuelle Moureaux appende 100 colori di carta,\u00a0istallazione realizzata\u00a0per\u00a0shinjuki creator festa 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