{"id":3853,"date":"2015-06-26T14:00:00","date_gmt":"2015-06-26T12:00:00","guid":{"rendered":"https:\/\/socialdesignmagazine.com\/mag\/s6-design\/c43-design-news\/tagina-ceramiche-darte-ad-expo-2015\/"},"modified":"2025-05-11T13:36:42","modified_gmt":"2025-05-11T11:36:42","slug":"tagina-ceramiche-darte-ad-expo-2015","status":"publish","type":"post","link":"https:\/\/socialdesignmagazine.com\/mag\/news\/design-news\/tagina-ceramiche-darte-ad-expo-2015\/","title":{"rendered":"Tagina Ceramiche d’Arte ad Expo 2015","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

Tagina Ceramiche d’Arte, azienda Umbra che dal 1973 si fa testimone della cura e della sartorialit\u00e0 tipiche del Made in Italy:<\/h2>\n\n\n\n

sono la ricerca dell’innovazione, la produzione di soluzioni uniche, l’abitudine a interpretare con passione le richieste pi\u00f9 esigenti che hanno spinto importanti espositori di Expo 2015 a sceglierla come partner di fiducia dei propri padiglioni.<\/p>\n\n\n\n

L’intervento di Tagina \u00e8 evidente nel Cluster Cacao e Cioccolato, ed in particolare negli stand di Perugina, Lindt e Icam, dove l’azienda ha tradotto in materia l’immagine popolare dei brand. Grandi piastrelle quadrate sulle quali sono ricreati i cartigli d’amore tipici del Bacio Perugina, le stelline blu della carta con cui \u00e8 avvolto o l’effigie del grifone o, ancora, le piastrelle con impresso la parola “cioccolato” in tutte le lingue del mondo sono l’esatta dimostrazione della ricerca e della sperimentazione condotta dal laboratorio Tagina, un “Atelier” in grado di sviluppare e produrre il pi\u00f9 adeguato vestito ceramico per qualsiasi progetto.<\/p>\n\n\n\n

“Per alcuni mesi il nostro team di Atelier Tagina si \u00e8 interamente dedicato allo studio di pavimentazioni, pareti d’arredo e rivestimenti personalizzati: in questo caso il termine customizzazione potrebbe sembrare quasi riduttivo visto che abbiamo realizzato un numero di<\/em>
prototipi davvero sorprendente” commenta Loris Cardoni, Designer di Tagina Ceramiche d’Arte, che prosegue: “Il nostro laboratorio interno, attento all’innovazione, \u00e8 infatti in grado di fornire prodotti personalizzati che rispondono alle esigenze dei professionisti attraverso un processo coordinato che combina artigianalit\u00e0 e industria e valuta le migliori soluzioni per trasformare la ceramica in un racconto”.<\/em><\/p>\n\n\n\n

Il racconto continua anche all’interno del China Corporate United Pavillon, padiglione che con il suo concept “Seeds of China” affronta vari temi spaziando dall’origine della vita al tema della nutrizione. I visitatori che ne percorreranno i diversi ambienti potranno ammirare la parete decorata con gli speciali manufatti ceramici “Dot to Dot” realizzati sui colori istituzionali del committente fino ad arrivare alla terrazza del padiglione, dove un’isola a forma di seme \u00e8 interamente rivestita con il materiale Tagina; sempre di Tagina, infine, sono i rivestimenti dei bagni della zona VIP del padiglione, che contiene un’esposizione sviluppata su 4.590 mq.<\/p>\n\n\n

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Maggiori informazioni su: www.tagina.it<\/a><\/h4>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Tagina Ceramiche d’Arte, azienda Umbra che dal 1973 si fa testimone della cura e della sartorialit\u00e0 tipiche del Made in Italy<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":1,"featured_media":22489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"","_twitter_share_type":"","_linkedin_share_type":"","_pinterest_share_type":"","_linkedin_share_type_page":"","_instagram_share_type":"","_medium_share_type":"","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[17],"tags":[1599,3281,3739],"class_list":["post-3853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design-news","tag-ceramica","tag-expo-2015","tag-tagina"],"yoast_head":"\nTagina Ceramiche d'Arte ad Expo 2015 - 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Dopo aver studiato Architettura all'Universit\u00e0 di Firenze, si \u00e8 impegnato in molteplici campi: comunicazione grafica, progettazione di allestimenti fieristici, brand design, Interior Design.","sameAs":["http:\/\/benedettofiori.com","https:\/\/www.facebook.com\/benedettofiori","https:\/\/x.com\/benedettofiori"],"url":"https:\/\/socialdesignmagazine.com\/mag\/author\/benedetto\/"}]}},"jetpack_featured_media_url":"https:\/\/socialdesignmagazine.com\/mag\/wp-content\/uploads\/2015\/06\/benedetto_tagina_Tagina_ceramiche_expo_2015_social_design_magazine_23.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6cV7V-109","gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/posts\/3853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/comments?post=3853"}],"version-history":[{"count":2,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/posts\/3853\/revisions"}],"predecessor-version":[{"id":65040,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/posts\/3853\/revisions\/65040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/media\/22489"}],"wp:attachment":[{"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/media?parent=3853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/categories?post=3853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/socialdesignmagazine.com\/mag\/wp-json\/wp\/v2\/tags?post=3853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}