{"id":460,"date":"2011-11-06T19:04:57","date_gmt":"2011-11-06T18:04:57","guid":{"rendered":"https:\/\/socialdesignmagazine.com\/mag\/s5-architettura\/c34-architettura\/nanjing-sifang-art-museum-steven-holl-architects\/"},"modified":"2024-05-09T23:25:18","modified_gmt":"2024-05-09T21:25:18","slug":"nanjing-sifang-art-museum-steven-holl-architects","status":"publish","type":"post","link":"https:\/\/socialdesignmagazine.com\/mag\/architettura\/nanjing-sifang-art-museum-steven-holl-architects\/","title":{"rendered":"Nanjing Sifang Art Museum \/ Steven Holl Architects","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"\n

La prospettiva \u00e8 la fondamentale differenza storica tra pittura occidentale e cinese. Dopo il 13 \u00b0 secolo, la pittura occidentale ha sviluppato punti di fuga in prospettiva fissa. I pittori cinesi, pur consapevoli della prospettiva, hanno respinto il metodo dell’unico punto di fuga, producendo paesaggi con “prospettive parallele”, in cui lo spettatore viaggia all’interno del dipinto. Il nuovo museo \u00e8 situato alle porte della Contemporary International Practical Exhibition of Architecture nel verde paesaggio di Pearl Spring vicino Nanjing, in Cina. Il museo, completato da Steven Holl Architects<\/a>, \u00e8 costituito da un “campo” di spazi in prospettiva parallela. Il passaggio dritto del piano terra a poco a poco si trasforma in passaggio di avvolgimento fino al piano di sopra. La galleria superiore, sospesa in aria, si sviluppa in una sequenza di svolte in senso orario e culmina con un punto dal quale si ha una vista della citt\u00e0 di Nanjing in lontananza.\u00a0 Il significato di questo sito rurale diventa urbano attraverso questo asse visivo che lo lega alla grande capitale della dinastia Ming, Nanjing. Il cortile \u00e8 pavimentato in mattoni riciclati dai cortili distrutti del centro di Nanjing. Limitare i colori del museo al bianco e nero si rif\u00e0 ai dipinti antichi, ma d\u00e0 anche uno sfondo per evidenziare i colori e le texture delle opere d’arte e di architettura che saranno esposti all’interno.\u00a0 Il bamb\u00f9, che gi\u00e0 cresceva sul sito, \u00e8 stato utilizzato per dare forma al cemento, successivamente impregnato di colore nero. Il Museo ha riscaldamento e raffreddamento geotermico, e ricicla l’acqua piovana.<\/p>\n\n\n

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Via: contemporist<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

La prospettiva \u00e8 la fondamentale differenza storica tra pittura occidentale e cinese. 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